All The Best: Fun Begins is a 2009 Indian Hindi-language comedy film directed by Rohit Shetty, and starring Ajay Devgn, Sanjay Dutt, Fardeen Khan, Bipasha Basu, Johny Lever, Sanjay Mishra and Mugdha Godse. “Looks like I picked the wrong week to quit amphetamines.”—Phil de Semlyen, Hypnotic, bewitching, thought-provoking, disturbing, horrifying: However you react to it, you won't forget Jonathan Glazer's startling adaptation of Michel Faber's woman-who-fell-to-earth novel. It features Cubistic jump cuts, restless handheld camerawork, location shoots, eccentric pacing (the 24-minute centerpiece is two lovers talking in a bedroom), and self-conscious asides about painting, poetry, pop culture, literature and film. And when those cameras were rolling, they captured a self-made icon with a global audience. Keep track of everything you watch; tell your friends. David Lynch’s glamorous nightmare of Los Angeles is dense with mystery, terror and uncanny sexiness—themes that had long been a constant of the auteur’s work, but which here reached their lurid apotheosis.—Abbey Bender, The pinnacle of Italian Neorealism, Vittorio de Sica’s postwar masterwork exemplifies the movement’s socioeconomic concerns, maneuvering its stylistic conventions with heartbreaking poignancy. Four lazy slacker conmen buddies who are jobless, homeless and broke learn about the secret of a hidden treasure from a dying thief and later embark on a race against time to find the mobster's buried treasure and claim it while being pursued by a determined police inspector who is hellbent to get the treasure all by himself. These must-see movie night picks will appeal to the whole family and are packed with great messages and role models. Like an Hieronymus Bosch masterpiece, the images here can never be unseen.—Phil de Semlyen, Writer-director Michael Mann’s heist masterpiece put two of our greatest actors, Robert De Niro and Al Pacino, together onscreen for the first time—one as a stoic master criminal, the other as the obsessive cop determined to bring him down. The turning point was Seven, the first time that Fincher’s fearsome vision arrived uncut. Murnau’s haunting images of a crepuscular world set the chilling standard for generations of cinematic nightmares.—Stephen Garrett, With about 6,500 zingers to choose from, everyone has their favorite Airplane! As ever, the star had the last laugh: Not only was the film a huge commercial success, it also ended on the most heartbreaking close-up in cinema history—the peak of the reaction shot (since cribbed by movies from La Strada to The Purple Rose of Cairo), no dialogue required.—Joshua Rothkopf, There’s never a bad time to revisit one of Jean Renoir’s great masterpieces (along with The Rules of the Game), but this current era of populists, nationalists and shouty rabble-rousers feels like a particularly good one. But kudos also belongs to Betty Comden and Adolph Green, whose effervescent screenplay provides the beat for the spectacle to move to, and Jessica Hagen, whose often-overlooked turn as croaky silent star Lina Lamont is the movie’s funny-sad counterpoint. Luis Buñuel counts among the top rank of dreamers to ever grace the field of filmmaking. All Harry Potter Movies Ranked Worst to Best by Tomatometer. A spin on Alice's Adventures in Wonderland (with the same invitation to follow your imagination), Spirited Away has been ushering audiences into its dream world for almost two decades and seems only to grow in stature each year, a tribute to its hand-drawn artistry. And it’s all topped off by Harrison Ford’s pitch-perfect Indiana Jones, a model of reluctant but resourceful heroism (look at his face when he shoots that swordsman). It's a perfect expression of artists’ drive to create, set in a lush Technicolor world shot by the great Jack Cardiff. A man is sandwiched between his over possessive wife and a police inspector, where he is suspected for adultery and murder. A passion project that got clobbered by audiences and critics alike, The Thing was, in fact, that rarest of remakes: one that improves upon its source. Was this review helpful to you? The twist contest at Jack Rabbit Slim’s? Adorned by Linklater’s signature effortless rhythms, the film bottles the fleeting spirit of time, maturing into a reflective meditation on life’s ordinary moments.—Tomris Laffly, Movies have always been a gateway into radical art; Hollywood may have made them sleek and accessible, but experimentation was there from the start. Watch trailers, view photos and detailed information about the 92nd Academy Awards winners. In Goa, Pritam meets his love Geeta after many years. There is so much to love in Fassbinder’s shag-carpeted showdown, which goes beyond the spectacle of two dueling fashionistas into a profound exploration of aging and obsolescence.—Joshua Rothkopf, Few film movements can boast the hit rate of Italian neorealism, a post-WWII wave dedicated to working-class struggle that seems to comprise only masterpieces. Look out for your first newsletter in your inbox soon! Get personalized recommendations, and learn where to watch across hundreds of streaming providers. The Bengali great follows young Apu (Apurba Kumar Roy) from boyhood to adult life via schooling and a move from his remote village to the big city, as well as loves and losses. If you loved last year’s Shoplifters, you’ll love this.—Ian Freer, What’s the best part of Pulp Fiction? 1 Lakh from his NRI brother, Dharam, which he uses to fund his band, as well as the dilapidated Gym of his friends, Prem and Jhanvi Chopra. We all could use some heroes right now, and thankfully the Marvel Cinematic Universe has a bunch of them. The director shows restraint with setting and scope; the film focuses largely on the back-and-forth between Joan and her inquisitors. Renoir captures his sparklingly astute ensemble cast with fluid, deep-focus camera movements, innovations that inspired directors from Orson Welles to Robert Altman.—Stephen Garrett, Rightly considered one of the most focused and suspenseful movies ever made, Steven Spielberg’s tale of a shark terrorizing a beach town remains effective more than four decades later. Women on the Verge of a Nervous Breakdown offers juicy roles for a range of Spain’s finest female actors (plus a charmingly baby-faced Antonio Banderas) and consistently delights with its creative choices in costuming and interior design. Put on the gloves and LaMotta is in his element; take them off and he’s an insecure sociopath consumed by sexual jealousy. Their plan, however goes horribly wrong after they get embroiled with a notorious criminal. But respect must be paid to the performer, too: In a decade of brilliant acting, no turn was quite as galvanizing as the one given by Gena Rowlands in this stunning peek into a fraying mind. Without him, there’s no David Lynch, no Wong Kar-wai—even Alfred Hitchcock was a fan. Intricately designed as a tribute to the craft, Steven Spielberg’s funnest blockbuster has it all: rolling boulders, a barroom brawl, a sparky heroine (Karen Allen) who can hold her liquor and lose her temper, a treacherous monkey, a champagne-drinking villain (Paul Freeman), snakes (“Why did it have to be snakes?”), cinema’s greatest truck chase and a barnstorming supernatural finale where heads explode. Our list includes some of the most recognized action, feminist and foreign films. Even more prophetically, The Blair Witch Project is about a generation that can’t stop filming itself, even when lost in the woods—it’s ground zero for selfie horror.—Joshua Rothkopf, With the ink barely wet on Richard Nixon’s 1974 resignation, director Alan J. Pakula, actor-producer Robert Redford and screenwriter William Goldman created a hot-off-the-presses docudrama about the Watergate break-in that crackles with live-wire tension. Christopher Guest, Michael McKean and Harry Shearer are comic royalty, and we can only genuflect in their presence; shortly after this film, Guest kicked off his own directorial brand of humor, directly inspired by Rob Reiner’s heavy-metal satire.—Phil de Semlyen, If only Hollywood made ’em like they used to: crackling romantic comedies that conquered the Oscars. Get a sneak peek of the new version of this page. It’s hard to think of one better than this tower-block spectacular—nor one more imitated. An audience of stoners, wowed by its eye-candy Star Gate sequence and pioneering visuals, adopted it as a pet movie. Four lazy friends try to woo a rich girl, in order to live a wealthy lifestyle. Frank Capra’s hilarious hate-at-first-sight love story is still one of the fastest movies ever made. Chaplin, reticent to give up the visual techniques he’d mastered, insisted on making his new comedy a silent film even as viewers were growing thirsty for sound. The "Most Anticipated New Indian Movies and Shows" widget tracks the real-time popularity of relevant pages on IMDb, and displays those that are currently generating the highest number of pageviews on IMDb. Maybe because it captures those gloriously melancholic moments we’ve all experienced that seem to be gone in a flash, yet linger forever.—Anna Smith, A time capsule of a vanished New York and a portrait of twisted masculinity that still stings, Taxi Driver stands at the peak of the vital, gritty auteur-driven filmmaking that defined 1970s New Hollywood. The unexpected arrival of his elder NRI brother and assorted characters complicates the life of a Goan male. But it’s also just a damn good story that you definitely don’t need to be a hardened cineaste to enjoy.—. We just couldn't resist. This film is arguably his sharpest and most psychologically complex; inarguably, it’s his bitchiest. Robert Rossellini was responsible for a few of them, including Germany Year Zero and this earlier drama of repression and resistance, which boasts not one but two of the most memorable death scenes in all of cinema.—Phil de Semlyen, Brace for the land of phantoms and the call of the Bird of Death: One of the earliest (though unauthorized) adaptations of Dracula is still the most terrifying. Written by Abbey Bender, Dave Calhoun, Phil de Semlyen, Bilge Ebiri, Ian Freer, Stephen Garrett, Tomris Laffly, Joshua Rothkopf and Anna Smith, RECOMMENDED:– The best movies on Netflix right now– The 100 best comedy movies– The best romantic movies of all time– The 101 best action movies ever made– The best documentaries on Netflix, The greatest film ever made began with the meeting of two brilliant minds: Stanley Kubrick and sci-fi seer Arthur C. Clarke. Even if we can’t roll with the crackpot fan theories about how Kubrick allegedly faked the Apollo moon landing, we’ll readily admit that this film contains cosmic multitudes.—Joshua Rothkopf, The one that got Pixar’s (Luxo) ball rolling and still an absolute high-water mark for CG animation, Toy Story reinvented what a family movie could be. You can bathe in the film’s groundbreaking techniques, like Gregg Toland’s deep-focus photography, or the limitless self-confidence of its staging and its investigation of American capitalism. Read Full Synopsis Cast + Crew Previous Cast Members More Cast Members. The movie’s theme is vigilance: We must protect our children, but who will protect society from itself? Best of Rotten Tomatoes. The romance of the mob lifestyle—the food, the nightclubs, the cheating, the violence—made for a glittering surface; underneath it was jail, abandonment and living one’s life like a schnook in the witness-protection program.—Joshua Rothkopf, There’s no other thriller as elegant, light-touched and sexy as Hitchcock’s silken caper. With its overlapping dialogue and roving camera, Nashville created an earthy, idiosyncratic panorama of American life, featuring many of the most memorable actors of the decade. To me, accuracy when making a Top 10/Top 100 all time list is extremely important. The combination of screwball dynamics and the garishness of the 1980s is perfectly calibrated and fun.—Abbey Bender, Shot over 12 years with a cast of actors that ages before our eyes, Richard Linklater’s modern-day coming-of-age classic is a peerless artistic gamble, comparable only to Michael Apted’s Up series and Francois Truffaut’s Antoine Doinel films. So, what does he do? In some ways a kinder, gentler version of Network, The Truman Show is a TV parable in which a meek hero (Jim Carrey) wins back his life. The genius is in Denis’s technique, manifesting itself in images of shattering emotional precision: sinewy silhouettes of soldiers, abstract tests of will in the desert and, most ravishingly, the euphoria of breaking into dance, courtesy of a loose-limbed Denis Lavant and Corona’s “Rhythm of the Night.”—Joshua Rothkopf, John Ford’s searing Western casts John Wayne as Ethan Edwards, a pathological racist and, yet, the enduring template for today’s modern antihero. Amid its sweeping Arabian landscapes, famously captured by cinematographer Freddie Young’s cameras, it’s the interior landscape of Lawrence himself that this great biopic maps out so memorably.—, As unsparing as cinema gets, the influence of Elem Klimov’s sui generis war movie transcends the genre in a way that not even Steven Spielberg’s, 4. Each title is ranked according to its share of pageviews among the items displayed. But the film’s ice-cold paranoia, uncut and pharma-grade, has been its most lasting legacy: a template of perfection for all since.—Joshua Rothkopf, Writer-director Julie Dash should have become an Ava DuVernay–level success after her poetic feature debut, an achievement of otherworldly beauty. Despite becoming somehow synonymous with “difficult art-house statement,” it’s not all weighty themes, plague-strewn landscapes and chess games with the Grim Reaper. 5 of 7 people found this review helpful. Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), 51. Ironically, the movie’s portrayal of this milieu as vapid and soul-corrodingly hedonistic appears to have passed many viewers by. December is the time to watch (and rewatch) all of the Christmas movies. We think so (and not just because we can’t turn it off whenever we catch it midstream on TV). Of course the action sequences stir the blood—the final showdown in the rain is unforgettable—but this is really a study in human strengths and foibles. Alongside its historical truths, the film’s grammar and visual language—there are passages that play like an ultra-violent acid trip—are what truly elevates it. The IMDb editors are anxiously awaiting these delayed 2020 movies. Bored of their wives, best friends, Meet, Prem and Amar, reunite after three years and decide to have an affair - but instead become the prime suspects in a murder investigation. … There’s the famously real-looking Julie Christie–Donald Sutherland sex scene (they didn’t do it, honest), the shocking ending and the eerie way the film did for Venice what The Shining did for ski resorts. With the Vietnam War, inner-city rioting and Nixon on the rise, all bets were off. Burman in Khiladi 786, Bollywood’s original ‘Khiladi’ Akshay Kumar returns to fighting form in festive film ‘Khiladi 786′, No 'Golmaal' for now: Rohit Shetty - Realbollywood.com News, Raghuvandas 'Raghu' 'RGV' Goverdhandas Vakawale. Not forgetting co-director Stanley Donen, who was always happy to let his stars take the credit but deserves an equal share for a musical that never puts a foot wrong.–Phil de Semlyen, Has this one taken its place as Martin Scorsese’s peak achievement yet? RT Archives. For newbies, the journey of its bulldozer of a protagonist – played with inexhaustible force by actor-director-wunderkind Orson Welles – from unloved child to thrusting entrepreneur to press baron to populist feels entirely, (in unconnected news, Donald Trump came out as a superfan). Veer Kapoor lives in a palatial bungalow in Goa along with his girlfriend, Vidya, and a maid, Mary. The movies on this list are ranked according to their success (awards & nominations), their popularity, and their cinematic greatness from a directing/writing perspective. With countless iconic details—a horse’s severed head, Marlon Brando’s wheezy voice, Nino Rota’s catchy waltz—The Godfather’s authority lives on.—Tomris Laffly, Back in the headlines thanks to David Fincher’s brilliantly acerbic making-of drama Mank, Citizen Kane always finds a way to renew itself for a new generation of film lovers. It tells of a sailors’ revolt that morphs into a full-blown workers’ uprising in the city of Odessa; the movie is most famous for one breathtaking sequence—much copied and parodied since—of a baby carriage tumbling down a huge flight of steps. Not only did this smart and suggestively sexy pre-Code screwball shape every rom-com that followed, it still has a leg up on most of them.—Tomris Laffly, The perfect action movie? Eligible movies are ranked based on their Adjusted Scores. Set in a German POW camp during WWI, the film lays bare the fault lines of class and nationality among a group of French prisoners and their German captors and comes to the conclusion that all that really matters is man’s nobility toward his fellow man.—Phil de Semlyen, Calling this one the peak of screwball comedy may be too limiting: Among the many topflight movies directed by journeyman filmmaker Howard Hawks, His Girl Friday is his most romantic and most verbose (the constant banter feels like foreplay). Shape-shifting her way through Edith Head’s transformational costumes, Kim Novak haunts in two roles: Madeleine Elster and Judy Barton, both objects of desire for James Stewart’s curious ex-cop. The gags come almost as fast as you can process them, with the typically pinpoint Chaplin slapstick conjured here from scenarios that seem purpose-built to end in disaster. Déjà vu! Its tranquil strength later found an echo in Beyoncé’s Lemonade.—Tomris Laffly, Back in 1975, Stanley Kubrick’s somber adaptation of William Makepeace Thackeray’s novel about a young Irishman’s journey from lovestruck exile to cynical grifter in 18th-century Europe seemed out of step with the gritty, intense output of contemporary cinema. Every month he gets an allowance of Rs. None, though, is fit to tie the laces on John McClane’s quickly discarded shoes. A truly honest police officer is transferred to a town controlled by a gangster he has humiliated. Screened at the Pentagon for its topical significance during the early phases of the Iraq War, Algiers has its rebellious legacy vested in numerous politically charged epics, from Z to Steven Spielberg’s Munich.—Tomris Laffly, Pedro Almodóvar broke into the mainstream with this gloriously colorful ensemble comedy, an entry point for many into a style of smart, sexually liberated European cinema. But the intense close-ups give free reign to Maria Falconetti’s marvelously expressive turn as the doomed Maid of Orleans. Of course, it’s a work of profound philosophical thought, too, so you’ll feel brainier for having seen it.—Phil de Semlyen, Worlds collide in Sofia Coppola's pitch-perfect tale of a movie star (Bill Murray) and a newlywed (Scarlett Johansson) in Tokyo. Please let us know how wrong we got it. Ashwini Khalsekar overdoes the South-Indian bit. The ultimate cult film, Leone’s spaghetti Western is set in a civilizing America—though mostly shot in Rome and Spain—but the real location is an abstract frontier of old versus new, of larger-than-life heroes fading into memory. Trivia time: It remains Japan’s highest-grossing film ever, just ahead of Titanic.—Anna Smith, The first no-budget horror movie to become a bona-fide calling card for its director, George A. Romero’s seminal frightfest begins with a single zombie in a graveyard and builds to an undead army attacking a secluded house. Clarke was actually living in Ceylon (not in India, or a tree), but the pair met, hit it off, and forged a story of technological progress and disaster (hello, HAL) that’s steeped in humanity, in all its brilliance, weakness, courage and mad ambition. The Willoughbys is an enjoyable movie for families to watch together and is considered one of the best-animated movies released by Netflix this year. Later, it would be a major influence on La La Land.—Tomris Laffly, Director Roman Polanski and screenwriter Robert Towne took a modestly sleazy noir setup and turned it into a meditation on the horrors of American history and rapacious capitalism. Toshiro Mifune is superb as the half-crazed self-styled samurai, but it’s Takashi Shimura’s Yoda-like leader who gives the film its emotional center. Add the swoony pair of Beatty and Dunaway, and you’ve got a classic on your hands: a revolution in period dress.—Dave Calhoun, Watch this space: Jordan Peele’s newly minted horror classic is sure to rise in the rankings. If you love words, you’ll love this movie.—Joshua Rothkopf, You could stick nearly every Powell and Pressburger film on this list; such was the dynamic duo’s stellar output. The film was released on 16 October 2009, and was received positively from the audience and critics alike. A guest tries to stay inside the house of a man who can't kill him unless he's outside, because of believing guest to be equal to God. 1 Lakh from his NRI brother, Dharam, which he uses to fund his band, as well as the dilapidated Gym of his friends, Prem and Jhanvi Chopra. The revolution triggered by Goodfellas is only now becoming apparent: Without it, you don’t have The Sopranos, the golden age of television or the Reservoir Dogs diner scene. In weaving their stories together, Mann presents dueling but equally weighted perspectives, with our allegiance as viewers constantly shifting. A monumental opening line (“I believe in America”) sets the operatic Mario Puzo adaptation in motion, before Coppola’s epic morphs into a chilling dismantling of the American dream. Time Out is a registered trademark of Time Out America LLC. Cary Grant’s suavely hollow adman Roger O. Thornhill (“What does the O. stand for?” “Nothing.”) is Don Draper with a sense of humor, which he sorely needs when he contracts a bad case of Wrong Man–itis. Guides. The movie takes us back to the 1930s during the legendary crime spree of lovers Bonnie Parker (Faye Dunaway) and Clyde Barrow (Warren Beatty), careening around Depression-era America and robbing it blind. Completing this vivid psychodrama is Bernard Herrmann’s alarmingly duplicitous score, which twists its way to a towering finale.—Tomris Laffly, Increasingly a giant of world cinema, France’s Claire Denis continues to confound expectations, making movies in sync with her own offbeat rhythms and thematic preoccupations (colonialism, power, repressed attraction). Recounting the Algerian uprising against French colonial occupiers in the 1950s, The Battle of Algiers boldly examines terrorism, racism and even torture as a means of intelligence-gathering. Can there ever be one list to rule them all? Veer Kapoor lives in a palatial bungalow in Goa along with his girlfriend, Vidya, and a maid, Mary. It may not sound like your average love story, but that’s exactly what Buster Keaton’s deadpan and death-defying silent comedy is: a majestic demonstration of trick photography, balletic courage and comic timing, all underpinned by genuine heart. The Dark Knight is one of those rare examples of how a sequel can actually be a worthwhile film on its own. Find ratings and reviews for the newest movie and TV shows. En route, there’s surfing, a thrilling helicopter raid, napalm smelling, tigers and Playboy bunnies, until Sheen steps off the boat and into a different zone of madness—or is it genius? Movies with 40 or more critic … Were it not for them, 2001 might have faded into obscurity, but it’s hard to imagine it would have stayed there. But the filmmaking is what makes this a classic, particularly the energy, wit and style with which Lee presents this microcosm and the social forces at play inside it.—Bilge Ebiri, It’s no exaggeration to say that Akira Kurosawa’s Rashomon redefined cinematic storytelling. 2019, Ridley Scott’s vision of a dystopian future is one of the most stylish sci-fi films of all time. At its heart it’s a coming-of-age story that follows a young Belarusian boy (Aleksei Kravchenko) through unspeakable horror as Nazi death squads visit an apocalypse on his region. As one of the great directors of Hollywood’s golden age, Billy Wilder excelled across a variety of cinematic types, but this hard-boiled gem is his most influential work.—Abbey Bender, The first in a five-film autobiographical series, Francois Truffaut’s The 400 Blows is the story of Antoine Doinel (Jean-Pierre Léaud)—stuck in an unhappy home life but finding solace in goofing off, smoking and hanging with his friends—and it’s cinema’s greatest evocation of a troubled childhood. The pivotal point was There Will Be Blood, an epic about a certain kind of hustler—the oil baron and prospector. Dielman, 23, Quai du Commerce, 1080 Bruxelles ( 1975,... Feud between their respective children creates tension in their home they fall for each other remaining. 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